The time has come and the #WeAreAfroDASH IndieGogo Campaign has launched. Now, take a moment to read a detailed description of this first long-term, performance-based Ethnomusicology project by musician and cultural diversity activist,
Erin “Marisol” Corine.
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Project Afro(–) is a concept designed to unify musicians, artists, academics, thinkers, believers, leaders, followers, diversity activists and beyond under a common theme: the diasporic movement and cultural development of the African race across North America, South America, Europe, and anywhere else we are.
Pronounced “AfroDASH,” the proposed movement serves as a point of reference, a point of inspiration, and a point of CULTURAL INTERCHANGE for musicians and interdisciplinary artists. This long-term collaborative music and performing arts documentation and creation project embodies the spirit of the root that binds us all, removed or un-removed, to the original source of our musical and cultural identities in Africa—both as Afro- people and as non-Afro people that identify with our cultures.
Over the course of two years, Project Afro(–) aims to:
- Foster a conscious intellectual and artistic exchange amongst people of mixed African descent by creating a platform for the discussion of racial identity based on social circumstances, foreign immigration and mixed-racial influence. These interactions will be continuously documented using video journals, photo albums, writings, demonstrative concerts. The project proposes to publish a dedicated website and recorded mixtape of shared experiences, performances, projects, and impactful experiences that depict this journey of revival, creation and cultural exchange.
- Collect and publish these documents in digital format, in partnership with one or more academic institutions in the United States, in order to serve as a teaching tool for studies in humanities, liberal arts and the performing arts.
- Finally, develop a diverse ensemble of the same name—AfroDASH—of talented performers in the culturally-rich center of Madrid, Spain dedicated to the revival, preservation, fusion and, most importantly, the use of these video documents, concerts and revival efforts as a means of using the teaching and sharing our languages, cultures, and traditions to foster understanding, expand knowledge and inspire social advancement amongst ourselves, our communities and audiences in our home countries.
I started out as a little girl sitting at grandma’s old living room piano, plunking out any little melody I could remember. This later became sitting at Mom’s choir rehearsals in church home in Chicago. Years pass, I hear the flute for the first time, fall in love, and begin to play at age 12. Somewhere in there, there were years of listening to Spanish being spoken by Latin-American friends which later resulted in four years of classes to begin learning the language that would someday change my entire world. In these formative years, my love for connecting with people of varying cultural and artistic backgrounds grew. My desire to discover new places and expand my musical language began three years ago, when I first set foot in Valencia in July of 2011 for the Berklee Valencia Flamenco Summer Music Program. My world opened in a way that I never could have imagined, and I set out on an adventure to find my own unique identity based on many genres of music that I had begun to study in depth, accompanied by this new language that I had suddenly expanded my vision.
All in all, in nearly 15 years accompanied by many wins, losses, the learning and re-learning of a language and a complete 180 degree turn in musical direction later, this turning point in my life has not only led me to new genres, but has sent me into a retrospective survey of my own cultural background. After these last two life-changing years in Valencia sharing, exchanging and learning with musicians and artists from all of the world, I have emerged with a deeper connection to African-American music—traditional, rural, contemporary and popular—than ever before. The ability to express in two languages and in many musical styles with many instruments is the greatest gift I could have ever asked for. The joy that I feel every time I discover a new connection to another part of the world using one of these languages or styles of music is the inspiration behind my life’s work of teaching, performing and sharing culture. I will never stop looking for new ways to connect—and my objective as an artist and teacher is to inspire others to do the same.
The Movement: #WeAreAfroDASH.
This concept, honestly speaking, needs to have its own blog post. This is not only because I am, admittedly, a woman of many, many words—but most importantly, it is the basis for what is now my life’s work. For now, however, let me mull a little bit out in the open. I’ll explain a few things to get your gears going.
As an African-American in a foreign country, the most amazing part of this experience has been to meet and interact with Afro-Europeans and Afro-Latinos—in other words, displaced Afro cultures descendent of the slave trade or mass immigration—that have more in common with our culture in the United States than I had really ever even given myself time to consider. It was my next huge revelation, second only to my falling in love with Flamenco music years ago, that our similar roots and social circumstances in the history of our cultural development have provided us with a common cultural code—and subsequently, music, literature, poetry and other forms of artistic expression that are easily explored, developed and able to be fused together in a deeper and more meaningful way. For this reason, Afro(—) is the title of a concept designed to unify musicians, artists, academics, thinkers, believers, leaders, followers, diversity activists and beyond under a common theme: the diasporic movement and cultural development of the African race across North America, South America, Europe, and anywhere else we are.
Through this project rooted in Contemporary Ethnomusicology—meaning, the study of non-western musical tradition and its impact on societal development and the emergence of new genres in today’s world—the goal of Afro(–) is to use the histories of our common roots and identities as a basis for exploration, documentation, revival, re-creation and, ultimately, to develop new music.
The Detailed BREAKDOWN: How your donation funds the Artist, the Image, and the INITIATIVE.
While there are many hurdles associated with start-up of a long-term music project of any type, the international aspect of this particular project presents a particular challenge. Having accepted a part-time position as a North American Language and Culture Assistant with the Spanish Ministry of Education, Culture and Sports, I have the fortune of being able to renew my visa and return to Madrid in September with health insurance and a small stipend to help cover living expenses.
The main challenge: Establishment with a work permit and the lawful right to partake in “lucrative” work is quite a process—which means that in order to begin an independent project or undertake any sort of professional work outside of the terms of my visa, I must arrive with funds to support my own work until I have been approved for a Spanish social security number to pay taxes and work legally in the “bigger” sense. Small gigs and things that are not technically required to pay for living expenses are perfectly legal—but should a larger venue or organization want to contract me as a teacher or performer, I will need this tax ID number in order to be hired, even for small collaborations. Because this process will take time, the PHASE I fundraising goal is to secure supplemental funding for a dual live/work studio space, a start-up teaching studio, basic recording and performance equipment, and costs associated with establishment as an individual artist working and residing dually in the United States and Spain.
The biggest challenge with establishing a new project is not only financial, but also emotional and PHYSICAL. Spreading the word takes time, patience, and PERSEVERANCE! With the first phase of fundraising out of the way, I will be able to focus on what I do best: networking, teaching, performing, and really communicating how much this movement means to me!
How your donation funds The Artist:
- Offsets costs associated with visa application materials and processing fees
- Pre-departure financial advising, tax preparation and establishment in the US before departure for Madrid in September
- Offset of moving costs from Valencia to Madrid (my THIRD major move in my twenty-six years—I can hardly believe it!)
- Registry of branding and logo assets for protection of intellectual property (Erin “Marisol” Corine, Project AfroDASH [Afro(—)] and logo designs)
- Professional website development
- Start-up Bilingual Artist-Management consultation and costs
- Beginning of a fund to record an EP demo for distribution
- Venue rental for PHASE II Fundraiser: Pre-Departure Presentation and Concert, to be held in CHICAGO in early September 2014.
How your donation funds The Image:
With the help of your donation, I will reunite with artistic partner and childhood friend Allison Kortokrax of Korto Photography (Chicago, IL) to create the third and perhaps the most meaningful installment yet of my yearly “Natural Journey” document. With funding, we will be able to bring this year’s concept to life in a special location, one that has so greatly impacted my perception of life, beauty and self-image. More on this—it’s such a meaningful installment in this project that it deserves its own blog post!! In the meantime, any donors, media outlets (magazines, websites, journals or otherwise relevant sources) looking to directly sponsor this portion of the project will receive commemorative color prints of their choosing from the upcoming photo session or any sessions from previous years or, for media outlets, rights to the publication and distribution of our story!
And finally, How your donation funds The INITIATIVE:
In addition providing the funding for a live/work space in which musicians, colleagues, friends and family can come together to share, jam, and document these experiences under the project label #WeAreAfroDASH, your donation provides the following logistical support:
- Purchase of recording and performance equipment (see Google Drive link to full list of sought-after materials and software)
- Basic furnishing of in-home rehearsal/community gathering space
- Funding to offer free language classes and exchanges in the start-up phase of this project in an effort to spread the word and begin the #AfroDASH movement
- Funding to pay friends, musicians and collaborators (photographers, videographers and sound techs for bigger projects) for their time and energy during the first year start-up phase.
The last two important things to note:
- This is a PHASE I project goal! I am running an intensive run for 27 days in which I will be rallying to gather as much support as possible in an effort to meet this online donation goal before setting off on my the planning of a Live Fundraising Presentation/Concert gathering in September.
- In addition, there is an OFFLINE goal of $27,000 over the course of the PHASE I IndieGogo campaign and PHASE II fundraising concert event in September. Euros are expensive and I see so much potential in this project over the course of the next two years—so the more financial support, the better! I am grateful for ALL donations, large and small! For this reason, offline donations will be accepted in order meet this stretch goal and cover some immediate costs over the next six weeks. Please reach out via email to find out more about larger investment or sponsorship opportunities and longer-term project objectives!